Jadwiga Sawicka

  • jotsaw@poczta.onet.pl
polskienglish
Conversion Domestication Instruction, 1998, 400 billboards of the AMS Outdoor Gallery in several biggest cities in Poland.
Conversion Domestication Instruction, 1998, 400 billboards of the AMS Outdoor Gallery in several biggest cities in Poland.
CAUSES CANCER(health warning), 1999, billboard, part of the project of the AMS Outdoor Gallery (“52 m of art - I am here”) in Poznan and in Krakow as a billboard for the outdoor Galeria Otwarta.
BLOODY, 2000, computer printouts on the gallery walls. Solo show in the Foksal Gallery in Warsaw.
BLOODY, 2000, computer printouts on the gallery walls. Solo show in the Foksal Gallery in Warsaw.
HOW PEOPLE ARE TO LIVE ( a quote from B. Jelcyn), 2000, multiplied printout( 93x 195cm) pasted on 5 columns in the University of Warsaw Library. Group exhibition” Subtle Sweetness- Polish-Russian project.
HOW PEOPLE ARE TO LIVE ( a quote from B. Jelcyn), 2000, Multiplied printout( 93x 195cm) pasted on 5 columns in the University of Warsaw Library. Group exhibition Subtle Sweetness, Polish-Russian project.
BUREAUCRACY, 2001, print on Sellotape covering panes of three windows in the gallery. Group exhibition “ Bureaucracy” , Foksal Gallery, Warsaw
BUREAUCRACY, 2001, print on Sellotape. Group exhibition “ Bureaucracy” , Foksal Gallery, Warsaw.
38 EXECUTIONS, 2000/2001, computer printout (80x650cm): headlines with numbers in the increasing order. Group exhibition “Scene 2000”, Centre for Contemporary Art Ujazdowski Castle, Warsaw.
TV GUIDE (for Friday), 2001, computer printout (220x 1600cm). Group exhibition “Painting competition”, BWA gallery, Bielsko-Biała.
4 COLUMNS, 2001, computer printouts on four columns: height 280cm, side 70 cm. Words: BLOODY WET BAD (SHE)HAD TO IN REVENGE INDISPOSED UNDESIRED LOYAL DOG’S HEART. Group exhibition “Masquerades” Centre for Contemporary Art Inner Spaces, Poznań.
INDISPOSED UNDESIRED, 2001, print on pencils
3 COLUMNS, 2002, computer printouts on three columns: height 300cm, side 50cm. Words in Polish and German: BLOODY WET BAD. Group exhibition “ Semiotic Landscape” Galerie Ernst Hilger, Charim Galerie, Vienna.
WASTED LIFE/LONG AGO AND UNTRUE, 2002, offset print; two piles of boxes ( 200 boxes , 13x15x8cm each), wrapped in paper.
PLAGUE, 2002, poster (46x63 cm) pasted on the windows of the Artists’ Union Gallery in Warsaw during the group show “3rd Supermarket of Art”.
PLAGUE, 2002, poster (46x63 cm) pasted on the windows of the Artists’ Union Gallery in Warsaw during the group show “3rd Supermarket of Art”.
CALENDAR, 2002, mural composed of printouts with multiplied texts taken from tear-off calendar (anniversaries, horoscopes, interesting facts and tips). Mural covers the walls of two gallery rooms (288 m2 ). The mural provides the background for paintings ( TV guide) and photographs of clothes. The solo show “Accidents of Memory” (with Joan Grossman), The Zachęta Gallery of Art, Warsaw.
CALENDAR, 2002, mural composed of printouts with multiplied texts taken from tear-off calendar (anniversaries, horoscopes, interesting facts and tips). Mural covers the walls of two gallery rooms (288 m2 ). The mural provides the background for photographs of clothes. The solo show “Accidents of Memory” (with Joan Grossman), The Zachęta Gallery of Art, Warsaw.
DOES POLAND LOVE YOU? 2002, A4 leaflet, xeroxed: Does Poland love you? The state is/should be the mother to her citizens/ she helps those in need imposes duties/she demands and controls/ punishes and rewards/you have the right to turn to your mother/plead beg or demand / but she turns her back on you/she turns you down/ she is a bad mother or a mother uncertain /of her role or simply she does not have means to help you/ but she could at least listen/ why does she not listen? Once a year, at least once a year, on the day of the national holiday let’s make her listen/ make a call and learn if she remembers you, if Poland loves you. The text is followed by telephone numbers to Polish President, Prime Minister and twelve Ministries. The leaflet was pasted 11th November (the Independence Day) on the streets of Warsaw (during the group exhibition “Poland”, Teatr Academia, Warsaw), Gdańsk, Toruń, Krakow, Poznań, Mrągowo, Białystok, Lublin and Przemyśl.
DOES POLAND LOVE YOU? 2002, A4 leaflet, xeroxed: Does Poland love you? The state is/should be the mother to her citizens/ she helps those in need imposes duties/she demands and controls/ punishes and rewards/you have the right to turn to your mother/plead beg or demand / but she turns her back on you/she turns you down/ she is a bad mother or a mother uncertain /of her role or simply she does not have means to help you/ but she could at least listen/ why does she not listen? Once a year, at least once a year, on the day of the national holiday let’s make her listen/ make a call and learn if she remembers you, if Poland loves you. The text is followed by telephone numbers to Polish President, Prime Minister and twelve Ministries. The leaflet was pasted 11th November (the Independence Day) on the streets of Warsaw (during the group exhibition “Poland”, Teatr Academia, Warsaw), Gdańsk, Toruń, Krakow, Poznań, Mrągowo, Białystok, Lublin and Przemyśl.
DOES POLAND LOVE YOU? 2002, A4 leaflet, xeroxed: Does Poland love you? The state is/should be the mother to her citizens/ she helps those in need imposes duties/she demands and controls/ punishes and rewards/you have the right to turn to your mother/plead beg or demand / but she turns her back on you/she turns you down/ she is a bad mother or a mother uncertain /of her role or simply she does not have means to help you/ but she could at least listen/ why does she not listen? Once a year, at least once a year, on the day of the national holiday let’s make her listen/ make a call and learn if she remembers you, if Poland loves you. The text is followed by telephone numbers to Polish President, Prime Minister and twelve Ministries. The leaflet was pasted 11th November (the Independence Day) on the streets of Warsaw (during the group exhibition “Poland”, Teatr Academia, Warsaw), Gdańsk, Toruń, Krakow, Poznań, Mrągowo, Białystok, Lublin and Przemyśl.
DOES POLAND LOVE YOU? 2002, A4 leaflet, xeroxed: Does Poland love you? The state is/should be the mother to her citizens/ she helps those in need imposes duties/she demands and controls/ punishes and rewards/you have the right to turn to your mother/plead beg or demand / but she turns her back on you/she turns you down/ she is a bad mother or a mother uncertain /of her role or simply she does not have means to help you/ but she could at least listen/ why does she not listen? Once a year, at least once a year, on the day of the national holiday let’s make her listen/ make a call and learn if she remembers you, if Poland loves you. The text is followed by telephone numbers to Polish President, Prime Minister and twelve Ministries. The leaflet was pasted 11th November (the Independence Day) on the streets of Warsaw (during the group exhibition “Poland”, Teatr Academia, Warsaw), Gdańsk, Toruń, Krakow, Poznań, Mrągowo, Białystok, Lublin and Przemyśl.
GOOD CHRIST, 2003, computer printouts on a lightbox, height 300cm, side 80cm. The show “Nothing Inside!” The Bunkier Sztuki Gallery, Krakow.
JESUS AND MARY, 2003, 2003, computer printouts on a lightbox, height 300cm, side 80cm. The show “Nothing Inside!” The Bunkier Sztuki Gallery, Krakow.
NUMBERS, 2003, computer printouts on 55 lightboxes (15x15x8cm) with headlines including numbers, arranged in the increasing order (from 1 to billion). The show “Numbers” Naród Sobie Gallery, Poznań.
CALENDAR, 2002/2003, mural composed of printouts with multiplied texts taken from tear-off calendar (anniversaries, horoscopes, interesting facts and tips). The mural provides the background for oil paintings. The show “Nothing Inside!” The Bunkier Sztuki Gallery, Krakow.
MENDACIOUS, 2003, computer printout( 7x11cm), wrappings for chocolate candies. The show “Sweet Souvenir”, The Potocka Gallery, Krakow.
NUMBERS, 2003, computer printout, 4cm x 25m, headlines including numbers, arranged in the increasing order (from 1 to billion). The group show “Architectures of Gender”, Sculpture Center, New York.
NUMBERS, 2003, computer printout, 4cm x 25m, headlines including numbers, arranged in the increasing order (from 1 to billion). The group show “Architectures of Gender”, Sculpture Center, New York.
FOR FREE, 2004, posters 40x 60cm pasted on the windows of the Kronika Gallery in Bytom.
ORIGINAL AND PRETTY, 2004, posters, ,46x63 cm, pasted on the gallery’s wall and torn: 2.5x 5 m, The show “Wrapping up”. The Kronika Gallery, Bytom.
ORIGINAL AND PRETTY, 2004, posters, 46x63 cm, pasted on the gallery’s wall and torn: 2.5x 5 m. Detail. The show “Wrapping up”.The Kronika Galery, Bytom.
LONG TIME AGO AND UNTRUE, 2004, printed wrapping paper, 500 books wrapped in the show “Wrapping up”. The Kronika Gallery, Bytom.
LONG TIME AGO AND UNTRUE, 2004, printed wrapping paper, 500 books wrapped. Detail. The show “Wrapping up”, The Kronika Gallery, Bytom.
(they) PROMISED 2004 paper strip 5 cm x 1km with the word (they) PROMISED. The show “Wrapping up” in the Kronika gallery, Bytom.
(they) PROMISED 2004 paper strip 5 cm x 1km with the word (they) PROMISED. Detail. The show “Wrapping up” in the Kronika gallery, Bytom.
RUN, 2003, billboard on the outskirts of Cieszyn.
RUN, 2003, computer printout on self-adhesive vinyl; pasted on the windows of gallery, where the show about illegal immigrants ,“Borders and Beyond”, took place.
RUN, 2003, computer printout on self-adhesive vinyl; pasted on the windows of gallery, where the show about illegal immigrants, “Borders and Beyond”, took place.
FALSE FRIENDS, 2004, posters with the synopses of Polish and French soap operas. 4 layers of posters, pasted on the walls and torn. Detail. The group show of Polish art „Distances?” Le Plateau gallery, Paris, France.
FALSE FRIENDS, 2004, posters with the synopses of Polish and French soap operas. 4 layers of posters, pasted on the walls and torn. 4x4x2.70m. The group show of Polish art „Distances?” Le Plateau gallery, Paris, France.
END OF PEACE AND QUIET / FIN DE CALME/ 2004, posters outside the Le Plateau gallery, 1.50 x 8m. The group show of Polish art „Distances?” Le Plateau gallery, Paris, France.
RUN/ LAUF WEG, 2004, serigraphy on a plaque,8 x 20cm. 40 plaques on the area of a former fortress in the border city of Kostrzyn. Dialog Loci- Art in a Lost Place, Kostrzyń.
RUN/ LAUF WEG, 2004, serigraphy on a plaque, 8 x 20cm. 40 plaques on the area of a former fortress in the border city of Kostrzyn. Dialog Loci- Art in a Lost Place, Kostrzyń.
TRAGEDY, 2004, posters in Polish and Russian pasted on the walls (on the floor: mud installation by D. Gutow), „Beyond the Red Horizon” Polish- Russian show in the Centre for Contemporary Art Zamek Ujazdowski, Warsaw.
TRAGEDY, 2004, posters in Polish and Russian pasted on the walls, „Beyond the Red Horizon” Polish- Russian show in the Centre for Contemporary Art Zamek Ujazdowski, Warsaw.
LOST INNOCENCE, 2004, posters, 3 x 12 m, chocolate. Group show „Beauty and Painterly Effects” BWA gallery in Bielsko-Biała.
LOST INNOCENCE, 2004, posters, 3 x 12 m, chocolate. Group show ”Beauty and painterly effects” BWA gallery in Bielsko-Biała.
WHAT SHALL I DO WITH MYSELF (quotation from Witold Gombrowicz), 2004, computer printout 2cm x 4km, text installation during the conference
WHAT SHALL I DO WITH MYSELF (quotation from Witold Gombrowicz), 2004, computer printout 2cm x 4km, text installation during the conference
WHAT SHALL I DO WITH MYSELF (quotation from Witold Gombrowicz), 2004, computer printout 2cm x 4 km, text installation during the conference
TRAGEDY, 2005, tabloid printed for „Beyond the Red Horizon” Polish- Russian show in the Centre for Contemporary Art, Moscow.
TRAGEDY, 2005, tabloid printed for „Beyond the Red Horizon” Polish- Russian show in the Centre for Contemporary Art, Moscow.
ADS FROM PERSONAL COLUMNS (pink for women, blue for men, 2005, posters, 46 x 63 cm, several layers of posters, pasted on the walls and torn.
ADS FROM PERSONAL COLUMNS (pink for women, blue for men, 2005, posters, 46 x 63 cm, several layers of posters, pasted on the walls and torn.
I HATE YOU, 2005, 8 lightboxes 9 x 30 cm, moving around a darkroom 3,5 x 3,5 x 4m. „Attracts and Repels”, solo show in the gallery Atlas Sztuki, Lodz.
ART IS THE FOOD FOR BODY AND SOUL. ARE THE ARTIST'S HANDS CLEAN? cultural commercials, 2005, ads in the newspaper Gazeta Wyborcza during the show „Czas Kultury”
DOES ART SHOW VALUES? (Good, truth beauty), cultural commercials, 2005, ads in the newspaper Gazeta Wyborcza during the show „Czas Kultury”.
MORE TIME FOR CULTURE? NOT INTERESTED cultural commercials, 2005, ads in the newspaper Gazeta Wyborcza during the show „Czas Kultury”.
ART: GOOD, BEAUTIFUL, AND ACCESSIBLE. IS IT THAT DIFFICULT? cultural commercials, 2005, ads in the newspaper Gazeta Wyborcza during the show „Czas Kultury”.
EXPECT AND DEMAND! YOU'VE GOT THE RIGHT TO AN AESTHETIC EXPERIENCE LASTING FOR AT LEAST 10 MINUTES. cultural commercials, 2005, ads in the newspaper Gazeta Wyborcza during the show „Czas Kultury”.
IS CONTEMPORARY ART CONTROVERSIAL? LET IT SURPRISE YOU cultural commercials, 2005, ads in the newspaper Gazeta Wyborcza during the show „Czas Kultury”.
Cultural commercials, 2005, ads in the newspaper Gazeta Wyborcza during the show „Czas Kultury” In the gallery Arsenal in Poznan.
Cultural commercials, 2005, ads in the newspaper Metro. Prague Biennial.
(they) PROMISED 2004 paper strip 5cm x 2km with the word (they) PROMISED. Galeria Manhattan, Lodz.
(they) PROMISED 2004 paper strip 5cm x 2km with the word (they) PROMISED. Galeria Manhattan, Lodz.
NOTHING FOR ME, 2005, boxes, 15x15x15cm. Group show (...), BWA gallery in Zielona Góra.
END OF THE WEEK, 2005, posters with the synopses of Polish soap operas pasted on the wall and torn. Gallery WAW, Warsaw.
END OF THE WEEK, 2005, shredded posters with the synopses of Polish soap operas, Gallery Wozownia, Toruń.
YOU´LL BE DEAD, 2006, print on Sellotape, pasted on 36 TV sets broadcasting current programmes, „The Fatal Force”, the Centre for Contemporary Art Zamek Ujazdowski, Warsaw.
YOU´LL BE DEAD, 2006, print on Sellotape, pasted on 36 TV sets broadcasting current programmes, „The Fatal Force”, the Centre for Contemporary Art Zamek Ujazdowski, Warsaw. Detail.
FOREVER HAPPY, 2006, lightbox on posters, video projection,„The Fatal Force”, the Centre for Contemporary Art Zamek Ujazdowski, Warsaw.
FOREVER HAPPY, 2006, lightbox, „The Fatal Force”, the Centre for Contemporary Art Zamek Ujazdowski, Warsaw.
(She) FAINTED, 2006, posters 60x80 cm, pasted on the gallery´s wall and on the 5 TV sets broadcasting current programmes.„Give everything”,, the Arsenal Gallery in Bialystok.
(She) FAINTED, 2006, posters 60x80 cm, pasted on the gallery´s wall and on the 5 TV sets broadcasting current programmes. „Give everything”, the Arsenal Gallery in Bialystok. Detail.
Am leaving, 2006, post-it notes 7,5 x 7,5 cm, ca. 50 notes on the door and windows of the Potocka Gallery during the show „What will happen to us now?”.
Am leaving, 2006, post-it notes 7,5 x 7,5 cm, ca. 50 notes on the door and windows of the Potocka Gallery during the show „What will happen to us now?”.
UNFAITHFUL, 2007, 8 x 30cm, wall installation during the show “The Memory of this Moment from the Distance of Years”, former Schindler’s Factory, Krakow.
UNFAITHFUL, 2007, 8 x 30cm, wall installation during the show “The Memory of this Moment from the Distance of Years”, former Schindler’s Factory, Krakow.
UNFAITHFUL, 2007, 8 x 30cm, wall installation during the show “The Memory of this Moment from the Distance of Years”, former Schindler’s Factory, Krakow.
Aggressively obedient, 2007, text installation, solo show in the Czarna Gallery, Warsaw.
I BEG YOU, 2007, installation, paper strips pasted on light bulbs and hanging loosely, dimensions variable, group show The Real Life during Wola Art festival, Warsaw.
I BEG YOU, 2007, installation, paper strips pasted on light bulbs and hanging loosely, dimensions variable, group show The Real Life during Wola Art festival, Warsaw.
TO ONE WITCH DOCTOR- TEN THOUSAND WITCHES, 2007, billboard, Galeria Rusz, Torun.
LOVE YOU HATE YOU BORE YOU, 2008, 48 paper ribbons; 4cm x 10 m each; group show Polish Woman’s Diary, Uppsala Konsert & Kongress, Uppsala, Sweden.
LOVE YOU HATE YOU BORE YOU, 2008, 15 paper ribbons; 5cm x 10 m each; group show Polish Woman’s Diary, Uppsala Konsert & Kongress, Uppsala, Sweden.
look A cage went in search of a bird, 2008, annotated quotations; “art on demand” project, text installations in city transport, Arsenal Gallery, Bialystok.
listen AGONY! AGONY! MY PRIDE IS HOWLING LIKE A DOG! 2008, annotated quotations; “art on demand” project, text installations in city transport, Arsenal Gallery, Bialystok.
try it ENTER THE REALM OF DREAM, 2008, annotated quotations; “art on demand” project, text installations in city transport, Arsenal Gallery, Bialystok.
listen YOU’VE DRESSED UP RIDICULOUSLY FOR THIS WORLD, 2008, annotated quotations; “art on demand” project, text installations in city transport, Arsenal Gallery, Bialystok.
beware TO ONE WITCH DOCTOR- TEN THOUSAND WITCHES, 2008, annotated quotations; “art on demand” project, text installations in city transport, Arsenal Gallery, Bialystok.
listen LOST FOR WORDS, I TORE MY LIPS WITH A NAIL, 2008, annotated quotations; “art on demand” project, text installations in city transport, Arsenal Gallery, Bialystok.
WE FORGOT IT ALL, 2008, 20 lightboxes among the funeral exhibits in the Wyspianski Museum; group show OK! Wyspiański, Krakow.
HALT SCHAU MAL, 2008, a sticker, 4cm x 8 cm, presentation of the Kronika gallery during Berlin Biennial.
HALT SCHAU MAL, 2008, a sticker, 4cm x 8 cm, presentation of the Kronika gallery during Berlin Biennial.
HALT SCHAU MAL, 2008, a sticker, 4cm x 8 cm, presentation of the Kronika gallery during Berlin Biennial.
SICK OF IT/ MY GUTS ARE CHURNING, 2008, installation: a lighting fixture, group show “My mother is not holy”, Bunkier Sztuki gallery, Krakow.
SICK OF IT/ MY GUTS ARE CHURNING, 2008, installation: a lighting fixture, group show “My mother is not holy”, Bunkier Sztuki gallery, Krakow.
NICE AND KIND, 2008, text installation and slide projection during the show “Sensualia” in Starmach Gallery, Krakow.
MAD: SHE LIKED THAT: MAD, 2008, paper ribbons with the quotation from “Jasmine Man” by Unica Zürn, blowing in the wind during the show Prozna 2008, Warsaw.
I DON’T WANT YOUR FREEDOM, 2008, billboards during the festival “All About Freedom”, Gdansk, Warsaw, Krakow.
Once in a While, 2008, text installation: paper streamers printed with the names of eminent women, Christmas lights, Biala Gallery, Lublin.
Once in a While, 2008, text installation: paper streamers printed with the names of eminent women, Christmas lights, Biala Gallery, Lublin.
Once in a While, 2008, text installation: paper streamers printed with the names of eminent women, Christmas lights, Biala Gallery, Lublin.
Once in a While, 2008, text installation: paper streamers printed with the names of eminent women, Christmas lights, Biala Gallery, Lublin.
Once in a While, 2008, text installation: paper streamers printed with the names of eminent women, Christmas lights, Biala Gallery, Lublin.
THE PASSIONS OF CONSUMER GOODS, 2009, two billboards on Biala Gallery building, 2009, 180x 500cm each, Lublin.
Happiness, 2008, erotic passages from various novels collaged on a moleskin notebook, placed in a “Tom” bookshop during Wola Art festival, Warsaw.
JAMAIS FOREVER, 2009, installation: a lighting fixture, group show “The Heart Is a Lonely Hunter”, Le coeur est un chasseur solitaire, Gare Saint-Sauveur, Lille, France.
„JAMAIS FOREVER”, 2009, installation: a lighting fixture, group show “The Heart Is a Lonely Hunter”, Le coeur est un chasseur solitaire, Gare Saint-Sauveur, Lille, France (detail).
The Passions of Consumer Goods, 2009, photomontage, 4 posters installed in public space as a part of “Offensive Images” project during 6th Biennial of Photography, Poznan.
The Passions of Consumer Goods, 2009, photomontage, 4 posters installed in public space as a part of “Offensive Images” project during 6th Biennial of Photography, Poznan..
The Passions of Consumer Goods, 2009, leaflet handed out on as a part of “Offensive Images” project during 6th Biennial of Photography, Poznan.
The Passions of Consumer Goods, 2009, leaflet handed out on as a part of “Offensive Images” project during 6th Biennial of Photography, Poznan.
“Painterly Matter”, 2009, text installation, paper strips with words: “fat, fleshy, sensual, pliable”, Christmas lights, group show “Painter wrote”, Appendix gallery, Warsaw.
“Painterly Matter”, 2009, text installation, paper strips with words: “fat, fleshy, sensual, pliable”, Christmas lights, group show “Painter wrote”, Appendix gallery, Warsaw.
“Unfinished”, 2009, text and light installation, paper strips with words: “unfinished, undefined, incomprehension, misunderstanding, non-event, unwilling, disbelieving”, light bulbs and glass jars. Exhibition: “NA OKRĄGŁO: 1989-2009” / “ROUND AND ROUND AGAIN: 1989-2009”, Centennial Hall, Wrocław.
“Unfinished”, 2009, text and light installation, paper strips with words: “unfinished, undefined, incomprehension, misunderstanding, non-event, unwilling, disbelieving”, light bulbs and glass jars. Exhibition: “NA OKRĄGŁO: 1989-2009” / “ROUND AND ROUND AGAIN: 1989-2009”, Centennial Hall, Wrocław (detail).
“Televirus”, interventions into tv programmes from the 1980s, projection in the public space in Warsaw during the street festival marking the 20th anniversary of the first democratic election in Poland.
art is an excellent opium, 2009, 15 strips on the National Museum in Krakow, during ArtBoom, Visual Arts Festival in Krakow.
art is an excellent opium, 2009, 15 strips on the Kijow cinema in Krakow, during ArtBoom, Visual Arts Festival in Krakow.
total darkness eyes closed to the enormity of the catastrophe, (a quotation from Guy Debord), 2009, 60x80 cm, one of the four lightboxes placed in the street during ArtBoom, Visual Arts Festival in Krakow.
I feel my inside loosen up and get ready to reveal even more depth, (a quotation from Kafka), 2009, 60x80 cm, one of the four lightboxes placed in the street during ArtBoom, Visual Arts Festival in Krakow.
thoughts free from the control of reason, (a quotation from Breton), 2009, 60x80 cm, one of the four lightboxes placed in the street during ArtBoom, Visual Arts Festival in Krakow.
art is an excellent opium, 2009, 60x80 cm, one of the four lightboxes placed in the street during ArtBoom, Visual Arts Festival in Krakow.
The fraud of satisfaction exposes itself, collage, Guy Debord on “Lost Illusions” by Balzac, 2009, group show, Zachęta, Warsaw.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
“Quotations for Free”, gadgets to hand out in the streets of Lublin during visual arts festival Open City in Lublin; leaflets, T-shirts and balloons with annotated quotations from Guy Debord. Lublin, 2010.
Chandelier with texts “jamais” and “forever”, film “The Exterminating Angel” by Louis Bunuel; installation during the group show “ Body and Room Temperature”, 2010, Gallery of Contemporary Art in Przemysl.
“She retained the charm of male soul in a woman’s body” ( Baudelaire on Madame Bovary). Dust jackets for various books (male authors writing from women’s perspective); “Negative Abstraction”, Delikatesy gallery, Krakow, 2010.
“Forget”, banners on the Gallery Biała building, Lublin 2010.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Victory”, installation in the staircase of the Muzeum Sztuki during the show “Eyes Looking For a Head to Inhabit”, printouts with texts of Katarzyna Kobro in Polish and Russian, sound by Andrzej Juszczyk.
“Artist’s Assignment”, 2011 installation in the state archives during the show “Eyes Looking For a Head to Inhabit”; collages on art books, sound by Andrzej Juszczyk.
Artist’s Assignment”, 2011 installation in the state archives during the show “Eyes Looking For a Head to Inhabit”; collages on art books, sound by Andrzej Juszczyk.
Artist’s Assignment”, 2011 installation in the state archives during the show “Eyes Looking For a Head to Inhabit”; collages on art books, sound by Andrzej Juszczyk.
Artist’s Assignment”, 2011 installation in the state archives during the show “Eyes Looking For a Head to Inhabit”; collages on art books, sound by Andrzej Juszczyk.
Artist’s Assignment”, 2011 installation in the state archives during the show “Eyes Looking For a Head to Inhabit”; collages on art books, sound by Andrzej Juszczyk.
Artist’s Assignment”, 2011 installation in the state archives during the show “Eyes Looking For a Head to Inhabit”; collages on art books, sound by Andrzej Juszczyk.
Books in dust jackets and photo collages; installation during the show “Various Stages of Oblivion”, 2011, Gallery of Contemporary Art in Przemysl.
Books in dust jackets and photo collages; installation during the show “Various Stages of Oblivion”, 2011, Gallery of Contemporary Art in Przemysl.
Books in dust jackets and photo collages; installation during the show “Various Stages of Oblivion”, 2011, Gallery of Contemporary Art in Przemysl.
PRAY, 2011, installation (with sound by Andrzej Juszczyk) in the staircase of Hall 90B in the Gdansk shipyard building. Labour&Leisure, part of International Visual Art Festival Alternativa, Wyspa Institue of Art, Gdansk.
PRAY, 2011, installation (with sound by Andrzej Juszczyk) in the staircase of Hall 90B in the Gdansk shipyard building. Labour&Leisure, part of International Visual Art Festival Alternativa, Wyspa Institue of Art, Gdansk.
PRAY, 2011, installation (with sound by Andrzej Juszczyk) in the staircase of Hall 90B in the Gdansk shipyard building. Labour&Leisure, part of International Visual Art Festival Alternativa, Wyspa Institue of Art, Gdansk.
Plague Column, 2011, installation in the public space (Mariahilfer Strasse), KÖR Kunst im öffentlichen Raum, Vienna, Austria. Sound by Andrzej Juszczyk.
Plague Column, 2011, installation in the public space (Mariahilfer Strasse), KÖR Kunst im öffentlichen Raum, Vienna, Austria. Sound by Andrzej Juszczyk.
Plague Column, 2011, installation in the public space (Mariahilfer Strasse), KÖR Kunst im öffentlichen Raum, Vienna, Austria. Sound by Andrzej Juszczyk.
Text installation in the public space, Kordegarda Gallery and Płocka Street Warsaw.
Never Happened, 2004/2012 print on paper; 1000 books wrapped; installation during The Fourth Guangzhou Triennial - The Unseen, Guangzhou, China.
The Pain Will Not Go Away, Freedom of Fall, Dynamics of Decline, , 2012, print on textile, Banners and Diaries exhibition, Tbilisi, Georgia Republic.
Bad Dreams, 2012, 2 lightboxes 100cmx100cm, on the façade of the railway station in Tarnów during the show Dreams Are the Second Life, BWA Tarnów Gallery.
Bad Dreams, 2012, 2 lightboxes 100cmx100cm, on the façade of the railway station in Tarnów during the show Dreams Are the Second Life, BWA Tarnów Gallery.
Bad Dreams, 2012, stickers 10cmx10cm, on the floor of the railway station in Tarnów during the show Dreams Are the Second Life, BWA Tarnów Gallery.
„Stop slavery stop misery, 2013, posters with the quotation from Julian Tuwim’s poem, Bydgoszcz (with the New Art Wet Music Foundation)
„Stop slavery stop misery, 2013, posters with the quotation from Julian Tuwim’s poem, Bydgoszcz (with the New Art Wet Music Foundation)
„What Remains, 2013, installation during the What Remains exhibition in BWA Sokół Gallery in Nowy Sącz
„What Remains, 2013, installation during the What Remains exhibition in BWA Sokół Gallery in Nowy Sącz. Dust jackets on book dummies
„What Remains, 2013, installation during the What Remains exhibition in BWA Sokół Gallery in Nowy Sącz. Fragments of “Remainder” by Tom McCarthy
„What Remains, 2013, installation during the What Remains exhibition in BWA Sokół Gallery in Nowy Sącz. Fragments of “Remainder” by Tom McCarthy
„What Remains, 2013, installation during the What Remains exhibition in BWA Sokół Gallery in Nowy Sącz. Dust jackets on book dummies
„Yet Another Effort, a billboard in the public space, Kiev, Ukraine
„She Wanted She couldn’t, 2015, text installation during the group show Gender in Art, Museum of Contemporary Art, Kraków
„She Wanted She couldn’t, 2015, text installation during the group show Gender in Art, Museum of Contemporary Art, Kraków
„Maria Janion, 2014, objects and collages, dimensions variable, during the show The Oxymoron of Normality, Galeria Arsenał, Białystok
Maria Janion, 2014, objects and collages, dimensions variable, during the show The Oxymoron of Normality, Galeria Arsenał, Białystok
The Dynamics of Decline, The Freedom of Fall, double weave textile, wool, 2013,320 x 140 cm, 140 x 291 cm during the show The Splendour of Textiles in Zachęta, Warszawa, 2013
Double weave textile, wool, 2013, 320 x 140 cm, 140 x 291 cm during the show All Men Become Sisters at Museum Sztuki ms2, Łódź, 2015
. Art is an Excellent Opium, text installation in the Slowackiego Park in Bielsko-Biała, during a concert by Mystic Lab band in 2015
„. Art is an Excellent Opium, text installation in the Slowackiego Park in Bielsko-Biała, during a concert by Mystic Lab band in 2015
„Tears, 2016, installation during the group show A Place. Summer Storage in the Foksal Gallery in Warsaw
„Tears, 2016, installation during the group show A Place. Summer Storage in the Foksal Gallery in Warsaw
The War, 2016, facade banner on the Labirynt Gallery in Lublin, 343 x 1745 cm, photo by Diana Kołczewska
„The Power of Chaos, 2017, text installation during the solo show Word Pairs and Word Groups in the BWA Olsztyn gallery
„The Power of Chaos, 2017, text installation during the solo show Word Pairs and Word Groups in the BWA Olsztyn gallery
„Voices in the Head, 2017, text installation during the group show I’m Over It in the Biała Gallery in Lublin
„Voices in the Head, 2017, text installation during the group show I’m Over It in the Biała Gallery in Lublin
„On your Knees, 2017, posters (ON YOUR KNEES matter-of-factly, RISE with elation, FLY AWAY, passionately)
„On your Knees, 2017, posters in the public space during the 5th Odessa Biennale in Odessa, Ukraine
„Bitter Left, Sweet Right, installation during the group show Late Polishness in the Centre for Contemporary Art Zamek Ujazdowski, Warsaw: 2 lightboxes, 60 x 80 cm flashing alternately on and off and photographs
„Bitter Left, Sweet Right, installation during the group show Late Polishness in the Centre for Contemporary Art Zamek Ujazdowski, Warsaw: 2 lightboxes, 60 x 80 cm flashing alternately on and off and photographs
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„. Heart of the Country, 2017. A flag used to establish the emotional centre of the country
„. Heart of the Country, 2017. A flag used to establish the emotional centre of the country
„. Heart of the Country, 2017. A flag used to establish the emotional centre of the country
„. Heart of the Country, 2017. A flag used to establish the emotional centre of the country
„. Heart of the Country, 2017. A flag used to establish the emotional centre of the country
„. Heart of the Country, 2017. A flag used to establish the emotional centre of the country
„Heart of the Country, 2017. A flag used to establish the emotional centre of the country. Flags placed on the facades of 20 art galleries participating in the project; Labirynt Gallery in Lublin, photo by E. Lipa
Heart of the Country, 2017. Flags placed on the facades of 20 art galleries participating in the project; Kronika Gallery in Bytom, photo by M. Wysocki
Heart of the Country, 2017. Flags placed on the facades of 20 art galleries participating in the project; Trafostacja Sztuki gallery in Szczecin, photo by A. Konopka
Heart of the Country, 2017. Flags placed on the facades of 20 art galleries participating in the project; Arsenal Gallery in Poznań, photo by E. Muraszkiewicz
Once in a While, Polish version, 2017, text installation during the group show Polish Women:Patriots and Rebels, paper streamers printed with the names of eminent Polish women, Christmas lights
„Once in a While, Polish version, 2017, text installation during the group show Polish Women:Patriots and Rebels, paper streamers printed with the names of eminent Polish women, Christmas lights
„Once in a While, Polish version, 2017, text installation during the group show Polish Women:Patriots and Rebels, paper streamers printed with the names of eminent Polish women, Christmas lights
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